21
April 2006 - The Fighting Instruments of Karma Go to Marching Band
Heaven
This
morning we woke to weather warnings for both rain and wind, so
we battened down the camp as much as possible before our departure
back to New Orleans. We made the now familiar drive past miles
of blasted landscape, collapsed gas stations and empty, shattered
strip malls. No traffic delays this trip, although there are long
waits sometimes on the long bridges across Lake Pontchartrain.
We
gathered at the local headquarters for Emergency Communities,
an organization that is doing for St. Bernard Parish what Common
Ground is providing in the Ninth Ward. St. Bernard Parish was
a working class community that is now a dead zone like the Ninth
Ward, also due to flooding. It is back to streets lined with smashed
businesses, and houses marked with the dire crosses of findings
in the days after the storm. Many generations had been born here
and stayed here, most of them not moving more than a few blocks
away from family members. They were even close to their ancestors,
who were buried close by in the vast aboveground cemeteries. They
had a sense of continuity that is hard for us to really grasp,
as it is so out of our experience.
I
happened to have a new client last week in my veterinary practice
in Seattle who was the first member of her family ever to move
away from New Orleans. She grew up in St. Bernard Parish, and
her whole extended family is now living in her house, the only
residence of all of her relatives to survive Katrina. She and
her husband and her dogs have made a new start, but she talked
about the significance of losing the place where both her present
and her history were all around her.
Emergency
Communities is a large village of domes, tents and teepees plus
a "Made with Love" kitchen that serves hundreds of meals
three times a day to residents of the village and community. They
offer free internet access and wireless services and medical care.
There is a huge dome that is a dining/recreation area filled with
tables, a piano, a pool table, boxes of books, board games, several
beverage stations and information boards. One sign says, "If
you think of an idea, don't say it, just do it!" This dome
and an adjacent connected smaller dome are decorated with lights,
mobiles, chimes and the ever present Mardi Gras beads. Common
Ground had a very gritty urban encampment feel, and this is more
like an alternative town. There is a meditation/quiet space, large
showers and ranks of port-a-potties as well as tents with stored-
goods and food. There are lots of dogs cruising around with their
owners which gives it a homey feel.
We
found places to park all the vehicles and began to explore the
show space. The show will be in the dining tent over lunch for
the relief workers so the show crew got to work on setting up
the space and arranging the tables and chairs for the show. The
green room will be the very hot and crowded supply tent, with
Trash Fashion wedged into a back corner amidst crates of food
and other goods. Tim went out and looked around the village to
set a route for a pre-show parade. Petra played the piano, Joey
readied cards for his workshop, and the jugglers played juggling
games with the pool table. It has been raining on and off, and
water runs through the dome along the edges of the space. We have
been joined by Vermin, one of the characters from Common Ground.
The
Made with Love kitchen brought us lunch and set it up on a table
outside the supply tent. Tiberio circulated with his big jar of
coffee elixir - sweetened strong coffee that he makes and freezes
each night. It thaws as the day progresses and is ready to be
poured as shots for everyone right before the show. The band assembled
and watched the clouds warily. We were able to kick off the parade
in a dry time in between showers and made a loop by the kitchen,
dishwashing space, tents, showers, port-a-potties and through
an outdoor tented dining space before entering the dome to start
the show.
When
Faith started to sing, the skies truly opened and a deluge hit
the dome, completely drowning out her song. The band stepped in
and countered with Sousa's "Washington Post" march [Why
not his "Thunder and Blazes" march? - Ed.] until the
rain subsided enough for her to be heard. The show ran like yesterday's
with the addition of a Tom Noddy Midnight Show moment in Demon,
a volunteer who did his staff spinning routine.
After
the show we cleaned up, packed and then gathered in one of the
tents to decide what we would do next. It had been proposed that
we take the band to the French Quarter and do a parade. There
is a music festival in the French Quarter and we want to get there
early enough to park the vehicles and assemble without running
into darkness or the crowds for the event. We offered to help
in the kitchen and around the site at Community Emergencies today
and to provide workshops after their dinner but their coordinator
reported that he had plenty of helpers and thought his folks would
want to get into town after dinner so he urged us to go to New
Orleans with our parade. As wagon-master, Andrea expressed her
concern that our descending into the streets of the French Quarter
could result in "wagon-master hell," as she was afraid
of losing people in the complicated coordination of multiple largish
vehicles. We negotiated the vehicle scene and arranged a meeting
place where Paul thought he could park the bus and a time to gather
to start the parade. We decided to seek food on our own tonight
in the French Quarter so we all would be free to enjoy the afternoon.
There
was happy news from Lorraine that she had masterminded the donation
of a roll of screening for Common Ground kitchen, that would get
dropped off as the group made its way to the French Quarter. When
Lorraine heard about the need for the screening yesterday from
the Common Ground volunteer she remembered that Arlene, in Bay
St. Louis, had a big roll of it that they had moved when they
worked in her yard.
She
called Arlene, who met her at the house and gladly donated the
screening. It is sweet serendipity to see a dream come true so
neatly. After a group photo it was time to go and meet our marching
band destiny.
Tim,
Michelle, Tiberio and I went quickly to Michelle's van so Tim
and I could get into town, scope the Festival scene and see where
the best place would be to take the band. The French Quarter is
up and running although many businesses are not yet fully open,
or are just getting back to pre-Katrina hours. We walked the tiny
embellished streets and located the music festival. With ideas
of where to go and not go we walked back to find everybody else
and get ready to parade.
We
got near the meeting place and couldn't see anyone, but then heard
the strains of the "French National Defile March" floating
towards us. We followed the tune to the band. After a few phone
calls and the collecting of people as they arrived we were ready
to start.
For
the band, this is the quintessential experience of marching, here
where the second line was born. We have our own second line of
dancers and jugglers, including Tiberio with a mop sweeping the
way clean for the rest of our crew, and Vermin and Demon. As we
lined up on the sidewalk under the grillwork balconies "Chumleighland,"
in a way, had come home. (We love you Thaddeus!!!)
There
had been some apprehension expressed about launching into a parade
in the middle of a festival without seeking permits or permission,
but it was all beautiful and surreal here in the land of music
and lush Mardi Gras dreams. Almost as soon as we started a super
long white limousine pulled up alongside the band, opened its
windows and paced us for a while. People came out on their balconies
and emptied out of businesses onto the sidewalk and cheered and
danced. We were met with a spirit of uninhibited joy that matched
our own. The dancers abandoned the sidewalks for the streets,
and were joined by a tiny, ancient woman with a parasol who showed
them how it was done. Joey was tossed Mardi Gras beads with a
big plastic cabbage on them and played the cabbage like a percussion
instrument all through the streets. We marched through Jackson
Square, right through the middle of a wedding party who had just
come out of St. Louis Cathedral.
We wanted this ultimate dream of a parade never to end.
We
played until we ran out of streets and chops. We reluctantly returned
to the bus and stowed our instruments, and then set off into the
twilit Quarter in search of food. Eben had a place in mind, seeking
in particular an oyster po-boy sandwich, and secured a large number
of tables. We piled in, taking over the entire front of the restaurant
except for one couple at a tiny table who were gracious about
being displaced into a corner by the waves of arrivals. It was
time for gumbo, jambalaya, red beans and rice, crawfish and shrimp.
We pretended it was Joannie's birthday (she always has a Chautauqua
birthday during the summer tour) and sang the Chautauqua birthday
song. We walked back through the warm streets to our various vehicles
home, caught in the dreamlike rapture of this extravagantly emotional
town.
The
adventures of the day weren't quite over. Joan's RV broke down
on the way home, providing us with our traditional Chautauqua
vehicle moment. Fortunately it turned out that it was a broken
gas gauge leading to them running out of gas that was the issue,
so some folks rescued them and they were soon on their way.
It
didn't only rain in New Orleans, it rained hard in Bay St. Louis
as well, and some folks returned to wet tents and wet bedding.
The large tent used by the Christian encampment is empty tonight,
so some folks sleep there, and the RVs absorb some of the other
rained out campers. We have snacks in the kitchen and find that
better weather is forecast for tomorrow, so hope we will be able
to get everyone dried out in the morning.
Return
to Jambalaya Tour Journal's main page